Studio Art

Studio Arts

Explore your creativity and develop your artistic practice through Hood College’s diverse Studio Arts programs, offering opportunities for students at every level to learn, experiment, collaborate, and grow as artists.

Hood College offers a variety of undergraduate Studio Arts courses through the Department of Art & Archaeology, providing students with opportunities to explore a wide range of artistic techniques, materials, and practices. Areas of study include drawing, painting, ceramics (wheel throwing and handbuilding), sculpture, printmaking, photography, digital art and design, and mixed media. Courses range from introductory and foundational levels to intermediate and advanced studies, allowing students to develop technical skills, experiment with materials and processes, and further their own artistic exploration and research.

Advanced coursework may include regularly scheduled studio classes, independent studies, and specialized projects, offering students opportunities to refine their skills, explore individual interests, and develop a cohesive body of work. For advanced Studio Arts majors, Hood College also offers a dedicated Senior Studio space for students further along in their art degree. This space provides an environment where students can focus on developing their individual artistic practice, while connecting and collaborating with their peers. Senior Studio fosters a supportive creative community where artists can exchange ideas, learn from one another, gain inspiration, and continue developing their skills.

Facilities & Amenities

Our studios are equipped to provide students with hands-on experience in professional-level spaces, including:
  • Painting Studio with abundant natural light and large easel workstations.
  • Printmaking Studio with presses and equipment for traditional and contemporary print processes.
  • Drawing Studio designed for figure drawing, foundations, and advanced practice.
  • Ceramics Studios with electric kilns, atmospheric kilns, wheels for throwing, space for hand-building techniques and a fully stocked glaze lab.
    • Fully Equipped Kiln Room: Three computerized L&L electric kilns, a manual Alpine front-loading kiln, and a computerized Olympic test kiln.

    • Professional Clay Processing Equipment: Large-capacity clay mixers, a pug mill, a slab roller, clay mixer, and extruder.

    • Fully Stocked Glaze Lab: Extensive glaze materials, studio-made glazes, and firing options ranging from Cone 6 to Cone 04.

Whether you’re just beginning or refining your artistic practice, our facilities and courses give you the tools and environment to grow as a creative thinker and maker.

Atmospheric Firing & Alternative Firing

Atmospheric firing is a unique ceramic process where materials introduced into the kiln during firing interact with the clay and glazes to create unpredictable, one-of-a-kind surfaces. Through techniques such as reduction, soda, salt, and wood firing, students can explore rich colors, natural textures, flashing, ash deposits, and beautiful variations that cannot be achieved through conventional electric firing. Each firing is an opportunity to experiment, embrace the unexpected, and discover new possibilities in ceramic surfaces.

Atmospheric Kilns – Covered Kiln Pad

  • Small Reduction Gas Kiln: Creates rich colors and surface variations through a controlled reduction atmosphere.

  • Cross-Draft Soda Kiln: Introduces soda into the kiln, creating distinctive glassy surfaces, flashing, and textured deposits.

  • Large Reduction Gas Kiln: Offers larger firing capacity and opportunities to explore atmospheric effects.

  • Large Salt Kiln: Uses salt vapor to create distinctive orange-peel textures and unique glaze-like surfaces.

  • Sanderson ECO Train Wood Kiln: A wood-fired kiln that produces beautiful ash deposits, natural flashing, and organic surface variations.

  • Two Raku Setups: Allow students to experience dramatic, hands-on firings with rapid cooling, post-firing reduction, and unexpected color effects.

  • Atmospheric Firing at the Kiln Pad